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1画作名称: View of the Big Stone Theatre in St Petersburg towards St.Nicholas Cathedral 中文名称: 从圣彼得堡大石头剧场看圣尼古拉斯大教堂 画 家: Caspar Obach 作品年份: First half of the 19th century (before 1859) 原作材质: watercolor on paper 画作尺寸: 10.8х14.5 cm 馆藏链接: 圣彼得堡艾尔米塔什博物馆藏 The Big Stone Theatre in St Petersburg was founded in 1783 on the order of Empress Catherine II. The square it was located on was called Karuselnaya to be later renamed Teatralnaya (Theatre) Square. This theatre was part of t
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0画师们应该都非常想要遇到欣赏自己的画的人吧,各位画师们可以拿自己闲置的画用来置换,会把你的画置换给欣赏你的画的人,要求如下 1:每一幅画需要画师亲笔签名(收藏你画的观众应该更希望看到画的时候知道你,也可以更好的保护好画师) 2:请认真介绍自己,让更多人发现你。 3:画可以介绍给赏析者听(通过文字表达) 4:原创
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7Artist: Edward Atkinson Hornel Birth Date: 1864 Death Date: 1933 Title: Seashore Roses Object Name: Painting Date of Work: 1906 Inscriptions: EA Hornel 1906 (lower right) Medium: Oil Support: Canvas Dimensions (cm) (HxW): 102.5 × 117 (unframed) Credit: Purchased 1936 Description: Oil on canvas, landscape, two girls, one holding a butterfly, lying near seashore Accession No: KIRMG:0000.0054
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1画作名称: Irises 中文名称: 花瓶裡的紫色鳶尾花 画 家: 梵高(Vincent van Gogh) 作品年份: 1890年 原作材质: 布面油画 画作尺寸: 73.7 x 92.1 cm 馆藏链接: 美國紐約大都會美術館藏 In May 1890, just before he checked himself out of the asylum at Saint-Rémy, Van Gogh painted four exuberant bouquets of spring flowers, the only still lifes of any ambition he had undertaken during his yearlong stay: two of irises, two of roses, in contrasting color schemes and formats. In the Museum’s Irises he sought a “harmonious and soft” effec
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1画作名称: Portrait of Madame Barbe de Rimsky-Korsakov 中文名称: 里姆斯基·科萨科夫夫人 画 家: Franz Xaver Winterhalter 作品年份: 1864年 原作材质: 布面油画 画作尺寸: h117 x w90 cm 馆藏链接: 巴黎奥赛美术馆藏 温特哈尔特在肖像画艺术上有独特的表现魅力,他以松弛而流畅的笔法绘制了这幅气质优雅的肖像画《里姆斯基•科萨科夫夫人》。画中19世纪晚期俄国音乐家里姆斯基•柯萨科夫NikolaiRimsky-Korsakov的夫人NadezhdaNikolaevnaRimskaya-Korsakova(俄国钢琴演奏家和
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2画作名称:The Joys of Motherhood 中文名称:母爱的乐趣 画 家:让·奥诺雷·弗拉戈纳尔(Jean-Honoré Fragonard) 作品年份:约1752年 原作材质:布面油画 画作尺寸:57 x 38-1/2 in 馆藏链接:美国印第安纳州立美术馆 Idealized visions of the pleasures of local country life were popularized in the 1740s by Charles-Simon Favart at the Comic Opera in Paris and in paintings and stage sets by François Boucher, with whom Fragonard apprenticed prior to his 1752 Rome Prize win. Here, the young mother, with her pretty dress and powdered hair, owes mo
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5画作名称: My First Sermon 中文名称: 我的首次布道 画 家: John Everett Millais 作品年份: 1963年 原作材质: 布面油画 画作尺寸: 92cms 馆藏链接: Guildhall Art Gallery & London's Roman Amphitheatre The little girl is the artist's five-year-old daughter Effie and this was the first time that he used any of his children as models. She is sitting in one of the old high-backed pews in All Saints Church, Kingston-on-Thames, which Millais hurried to paint in December 1862 shortly before they were removed. This painting was extremely popular wh
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0经核实吧主小小书世界 未通过普通吧主考核。违反《百度贴吧吧主制度》第八章规定http://tieba.baidu.com/tb/system.html#cnt08 ,无法在建设 艺术画作吧 内容上、言论导向上发挥应有的模范带头作用。故撤销其吧主管理权限。百度贴吧管理组
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2画作名称: Still Life with Cheese 中文名称: 静物与奶酪 画 家: Floris Claesz. van Dijck 作品年份: 1615年 原作材质: 板上油画 画作尺寸: h 82.2cm×w111.2 cm 馆藏链接: 荷兰国立博物馆(阿姆斯特丹国家博物馆) 《静物与奶酪》是Floris Claesz. van Dijck的作品,他是荷兰静物画的先驱者之一。水果、面包和奶酪都按类型分组,桌上铺着昂贵的锦缎桌布。令人咋舌的现实幻想,看起来很容易就能触摸到桌子的边缘。 A table with a white linnen and pink silk damask is lai
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1画作名称: La Carriole du père Junier 中文名称: 老朱尼耶的马车 画 家: 亨利·卢梭(Henri-Julien-Félix Rousseau) 作品年份: 1908年 原作材质: 布面油画 画作尺寸: Height: 97 cm; Width: 129 cm 馆藏链接: 橘园美术馆 "Le père Junier" vendait des légumes qu'il allait tous les matins acheter chez les maraîchers de Bagneux ou de Verrière-le-Buisson. Il était depuis longtemps un ami du peintre ; sa femme lui faisait la cuisine. Rousseau lui devant quelque argent et monsieur Junier venant d'acheter un cheval dont il éta
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2画作名称:Carnival Evening 中文名称:狂欢节之夜 画 家:亨利·卢梭(Henri-Julien-Félix Rousseau) 作品年份:1886年 原作材质:布面油画 画作尺寸:117.3 x 89.5 cm 馆藏链接:费城美术馆 An air of mystery pervades this wintry forest landscape. Dressed in festive carnival costumes, a lone couple stands in front of barren trees. The figures seem to shine from within rather than from the light of the moon, which has strangely left the forest in darkness. An unexplained face leers out from the empty hut beside the figures, and an unexpected street l
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1画作名称: Kuningatar Blanka 中文名称: 布兰卡女王 画 家: Albert Edelfelt 作品年份: 1877年 原作材质: 布面油画 画作尺寸: 95.5 x 75.5 cm 馆藏链接: 芬兰国家艺术博物馆 Queen Blanche is one of the most well-known of the Swedish/Norwegian medieval queens. Apparently, she was very politically and socially active and noticeable, not only as a queen, as many stories and songs were written about her. In Sweden, Queen Blanche is also remembered for the song: "Rida rida ranka, hästen heter Blanka" ("Ride, ride on my knee, the horse
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2画作名称:Summer 中文名称:夏天 画 家:Thomas Wilmer Dewing 作品年份:1890年 原作材质:Oil on canvas in an original gilded plaster and pine frame 画作尺寸:52.1 x 91.4 cm framed:98.4 x 138.4 x 6.4 cm 馆藏链接:Yale University Art Gallery Thomas Wilmer Dewing’s dreamlike settings stand in stark contrast to the newly industrialized, gritty environment of late nineteenth-century America. Inspired by the work of James McNeill Whistler, Asian design, and music, Dewing believed that the purpose of the artist is to “see beautifully.” While slender birches sw
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1画作名称:Portrait of Varvara Bibikova 中文名称:瓦瓦拉比比科娃画像 画 家:Konstantin Makovsky 作品年份:Circa 1903-1904 原作材质:布面油画 画作尺寸:133x84.5 cm 馆藏链接:艾尔米塔什博物馆 Varvara Alexandrovna Bibikova (1894–1923) was the daughter of the court councillor (from 1915) Alexander Alexandrovich Bibikov (1874–?) and Varvara Vasilyevna, née Mashkova. The credit for identifying the subject by tracing the painting’s history goes to Yuri Gudymenko, the keeper of Russian painting in the Hermitage. A “portrait of a young girl
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1画作名称:Group Portrait of M.S. Volkov, S.N. Volkova and S.M. Volkov-Monsey 中文名称:沃尔科夫一家 画 家:Konstantin Makovsky 作品年份:1900年 原作材质:布面油画 画作尺寸:99.7x81 cm 馆藏链接:艾尔米塔什博物馆 Русский: На портрете изображены действительный статский советник, статс-секретарь Государственного Совета Михаил Сергеевич Волков, его жена София Николаевна, урожденная Манзей, и их
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2画作名称: Not at Home 中文名称: 不在家 画 家: Eastman Johnson 作品年份: 约1873年 原作材质: Oil on laminated paperboard 画作尺寸: 67.1 x 56.7 cm 馆藏链接: 布鲁克林博物馆 The painting’s title may seem curious, especially since there is clearly someone in this comfortably furnished domestic interior. In the past, however, the phrase “not at home” indicated that the occupants of the house were not available to receive visitors. This painting held a particularly personal meaning for Eastman Johnson. It shows his wife, Elizabeth, climbing th