春光乍泄吧 关注：43,322贴子：364,385
1996.6.22 王家卫第一次来到阿根廷
1996.7.29 兰桂坊 Club1997 开镜
1996.8.14~15 经过36小时的飞行 剧组抵达布宜诺斯艾利斯
1996.8.？ 张国荣奔赴已经在阿根廷布宜诺斯艾利斯的春光剧组
1996.8.26 杜可风和梁朝伟于布市中心某酒吧揣摩角色，被讹34块。
1996.8.30 故事大纲出炉
1996.9.4 王家卫突发奇想“张国荣饰演某女人”，拍之
1996.9.11-9.12 连夜拍摄第一场戏（床戏）
1996.9.19 挤沙发&吃饭喂鸡
1996.9.25 天台戏
1996.9.26 剧组中秋宴@广州酒家
1996.9.27 巴士戏 NG n次
1996.9.28 黎耀辉空屋挠头take 16+次
1996.9.29 看球，拍摄球赛。梁朝伟在休息室与马拉多纳握手。
1996.10.1-10.2 屠宰场 梁朝伟弄伤肋骨
1996.10.3 张国荣飞往香港出席97演唱会记者招待会
1996.10.7 张国荣回到阿根廷补戏
1996.10.14 档期已满，张国荣离开阿根廷
1996.10.15 Bar Sur酒吧
1996.10.18 观看** 导演不满意
1996.10.22 王家卫对构图不满意 回屠宰场重拍
1996.10.24 黎耀辉到处晃荡的戏份通告 导演决定取消
1996.10.25 与阿根廷制片组一拍两散
1996.10月底 张震、关淑怡进组
1996.11.3 张震拍摄他来到阿根廷的第一组戏
1996.11.15 拍摄小张送酒醉的黎耀辉回家 试穿何宝荣皮夹克
1996.11.22 乌苏怀亚 小张登上灯塔
1996.11.29 何宝荣摔门而去take
1996.12.3 某情侣宾馆出口偷拍长镜头
1996.12.4-12.5关淑怡戏份 连续拍摄24小时
1996.12.7 王家卫回香港，张叔平回香港（97演唱会），杜可风被留下拍一周空镜。
1996.12.8 梁朝伟回到香港
&%￥#@#￥%&%￥#@#￥%&%￥#@#￥%&%￥#@#￥%&
1997.3.31 戛纳优先版剪成。（97min）
1997.4.2-4.3 送展戛纳的法语字幕完成(by 魏绍恩&JACQUES PICOUX)
1997.4.6 补拍倒转镜头里的香港
1997.4.?~4.? 张震在军营里录独白 字幕不断修改 张叔平剪了又接又剪 梁朝伟三天两头跑录音室
1997.4.14 收到正式邀请函，入围第50届戛纳电影节竞赛单元
1997.4.16 英文片名确定《Happy Together》
1997.4.28~之后一周 杜笃之赴泰国为声带制作数码，王家卫、彭绮华随后压阵
1997.5 独白仍然在改 9本菲林送往宇宙宇宙公司冲印
1997.5.6深夜 《春光乍泄》绝密试映
1997.5.8晚 魏绍恩& JACQUES PICOUX携春光拷贝启程先赴法国
1997.5.18 王家卫凭《春光乍泄》获第50届戛纳电影节最佳导演
1997.5.30 香港首映
1997.6.7 台湾首映
有一个时间矛盾点：
10.14张国荣离开阿根廷（《王家卫谈春光乍泄音乐》）
10.25 Bar Sur仍有Leslie戏份（杜可风《飞行记》）
这是《飞行记》中的一段：
“Our third 20-some-hour haul in just as many days. Leslie leaves tomorrow. We hustle to get his half-dozen scenes done in a single night.二十几天来第三次连续工作二十多小时。Leslie明天要走，我们要连夜赶完六七个场景。Wong takes me aside, “This might be the last shot of the whole film----probably a ‘freeze-frame’ close up. Can’t you do something about Leslie’s eyebags?”墨镜把我拉到一边，“这可能是电影的最后一个镜头—可能用一个静态特写。有没有办法处理下Leslie的眼袋？ ”
所以我的推断是→ 1996.10.15 张国荣离开阿根廷，结束个人拍摄。
10.14张国荣离开阿根廷（《王家卫谈春光乍泄音乐》）
10.25 Bar Sur仍有Leslie戏份（杜可风《飞行记》）
这是《飞行记》中的一段：
“Our third 20-some-hour haul in just as many days. Leslie leaves tomorrow. We hustle to get his half-dozen scenes done in a single night.二十几天来第三次连续工作二十多小时。Leslie明天要走，我们要连夜赶完六七个场景。Wong takes me aside, “This might be the last shot of the whole film----probably a ‘freeze-frame’ close up. Can’t you do something about Leslie’s eyebags?”墨镜把我拉到一边，“这可能是电影的最后一个镜头—可能用一个静态特写。有没有办法处理下Leslie的眼袋？ ”
所以我的推断是→ 1996.10.15 张国荣离开阿根廷，结束个人拍摄。
@meemee124
Tuesday August 26, We almost came out fighting
The plan was to go bar-hopping till we were down and out - to get a better feeling for the place and Tony’s role … I’m voted “Barfly next most likely to succeed” for Tony’s it’s “research”. Tuesday downtown here is colder than my Bishop’s balls … All that’s open are over-lit cafes and confiterias …. and a red-curtained “live show” bar every block or two. We chose the only no-one was touting and descend into formica and velvet Hell. I pass a $50 for two $8 entrances. “No change here. You’ll get it inside” Fat Anna takes our order- and more money … then sits the beer and herself in my lap. A woman in the corner licks all her lips “Certerfold-ishly”, pulling her G-string so high it must be scraping her stomach wall by now. “Black Marie” is obviously lactating .. her 2-inch nipples are literally blackening my eye … “You suck my milk. I’ll suck yours.” Tony is fending questions about how big he is and he can’t count how many or who’s hands … “Change” he mumbles. Does he mean money or move? We try. The manager blocks our way “Pay the girls.”“We didn’t touch them.” “They have $50 drinks.” Three “collectors” appear out of the darkness to help make his point. Forget “change”: it’s pay or fight time … but all I want to do is either laugh or fart. Tony’s sounds like a Tarantino character as he throws down a fifty grumbling “F*ck, F*ck …” I can’t help but laugh at how “green” we’ve been … and as I laugh I fart!
Tuesday August 26, We almost came out fighting
The plan was to go bar-hopping till we were down and out - to get a better feeling for the place and Tony’s role … I’m voted “Barfly next most likely to succeed” for Tony’s it’s “research”. Tuesday downtown here is colder than my Bishop’s balls … All that’s open are over-lit cafes and confiterias …. and a red-curtained “live show” bar every block or two. We chose the only no-one was touting and descend into formica and velvet Hell. I pass a $50 for two $8 entrances. “No change here. You’ll get it inside” Fat Anna takes our order- and more money … then sits the beer and herself in my lap. A woman in the corner licks all her lips “Certerfold-ishly”, pulling her G-string so high it must be scraping her stomach wall by now. “Black Marie” is obviously lactating .. her 2-inch nipples are literally blackening my eye … “You suck my milk. I’ll suck yours.” Tony is fending questions about how big he is and he can’t count how many or who’s hands … “Change” he mumbles. Does he mean money or move? We try. The manager blocks our way “Pay the girls.”“We didn’t touch them.” “They have $50 drinks.” Three “collectors” appear out of the darkness to help make his point. Forget “change”: it’s pay or fight time … but all I want to do is either laugh or fart. Tony’s sounds like a Tarantino character as he throws down a fifty grumbling “F*ck, F*ck …” I can’t help but laugh at how “green” we’ve been … and as I laugh I fart!
