Simple plan
As any serious musician will tell you, success is 10 percent inspiration and 90 percent perspiration. In other words, a clever lyric, hook or riff may get you attention, but touring - make that endless touring - is what ultimately pays the big dividends. Singer Pierre Bouvier and drummer Chuck Comeau, of Montreal's Simple Plan, know all about the merits of hard work. Their pop-punk band performed practically non-stop for three years across North America, Europe, the Far East and Australia to make its debut album, No Pads, No Helmets…Just Balls, a million-seller.
But Bouvier and Comeau also point to an intangible part of the equation: timing. Quite simply, Simple Plan had the good fortune of being in the right place at the right time. The group's sugary, energetic album came fast on the heels of international breakthroughs by such bubblegum-punk bands as Blink 182 and Canada's Sum 41. "We've always done this kind of pop-punk music," Bouvier said, following the album's release in March 2002, "and I can't deny this is a good time for this kind of music."
Indeed, Simple Plan has since been joined by melodic Canadian punkers Avril Lavigne, Lillix and Billy Talent, winner of this year's Juno Award for best new group, all of whom are hot tickets this summer. Superstar Lavigne is headlining a major solo tour, while Lillix, Billy Talent and Simple Plan are featured performers on the Warped Tour, which stops in Vancouver and Calgary in July before moving east to Quebec City, Montreal and Toronto in August.
Friends since childhood, Bouvier and Comeau spent much of this past spring in Vancouver, where Bouvier rented an apartment, writing songs for Simple Plan's next album. Both seem relaxed and unperturbed by the sort of pressure most young bands feel when faced with the task of following up a strong debut with a sophomore release. "We haven't adopted a formula or anything," says Bouvier. "We're just approaching it the same way we did with our first record. Chuck and I lock ourselves away in a room and start developing ideas. Sometimes, it's a lyrical idea. Other times, it might just be a riff. In the end, whatever we write has to be able to stand on its own on an acoustic guitar. If it sounds good, then you know you're golden. After that, we'll get the whole band together and try to make it more of a complete song, with full arrangements and finished lyrics."
Simple Plan's songs are not deep, thoughtful works likely to become studied by musicologists. Rather, they are short, catchy and, yes, simple pop anthems of adolescent angst. No Pads, No Helmets…Just Balls features songs about girls ("When I'm With You"), loneliness ("The Worst Day Ever") and alienation ("God Must Hate Me"). Two of the album's biggest hits were "I'd Do Anything" (about the high-school girl who got away) and the lone ballad "Perfect" (about living up to your parents' high expectations). But the song that perfectly captured Simple Plan's easy-to-understand mission statement was "I'm Just a Kid." Sample lyric: "I'm just a kid/And life is a nightmare/I'm just a kid/I know that it's not fair."
As any serious musician will tell you, success is 10 percent inspiration and 90 percent perspiration. In other words, a clever lyric, hook or riff may get you attention, but touring - make that endless touring - is what ultimately pays the big dividends. Singer Pierre Bouvier and drummer Chuck Comeau, of Montreal's Simple Plan, know all about the merits of hard work. Their pop-punk band performed practically non-stop for three years across North America, Europe, the Far East and Australia to make its debut album, No Pads, No Helmets…Just Balls, a million-seller.
But Bouvier and Comeau also point to an intangible part of the equation: timing. Quite simply, Simple Plan had the good fortune of being in the right place at the right time. The group's sugary, energetic album came fast on the heels of international breakthroughs by such bubblegum-punk bands as Blink 182 and Canada's Sum 41. "We've always done this kind of pop-punk music," Bouvier said, following the album's release in March 2002, "and I can't deny this is a good time for this kind of music."
Indeed, Simple Plan has since been joined by melodic Canadian punkers Avril Lavigne, Lillix and Billy Talent, winner of this year's Juno Award for best new group, all of whom are hot tickets this summer. Superstar Lavigne is headlining a major solo tour, while Lillix, Billy Talent and Simple Plan are featured performers on the Warped Tour, which stops in Vancouver and Calgary in July before moving east to Quebec City, Montreal and Toronto in August.
Friends since childhood, Bouvier and Comeau spent much of this past spring in Vancouver, where Bouvier rented an apartment, writing songs for Simple Plan's next album. Both seem relaxed and unperturbed by the sort of pressure most young bands feel when faced with the task of following up a strong debut with a sophomore release. "We haven't adopted a formula or anything," says Bouvier. "We're just approaching it the same way we did with our first record. Chuck and I lock ourselves away in a room and start developing ideas. Sometimes, it's a lyrical idea. Other times, it might just be a riff. In the end, whatever we write has to be able to stand on its own on an acoustic guitar. If it sounds good, then you know you're golden. After that, we'll get the whole band together and try to make it more of a complete song, with full arrangements and finished lyrics."
Simple Plan's songs are not deep, thoughtful works likely to become studied by musicologists. Rather, they are short, catchy and, yes, simple pop anthems of adolescent angst. No Pads, No Helmets…Just Balls features songs about girls ("When I'm With You"), loneliness ("The Worst Day Ever") and alienation ("God Must Hate Me"). Two of the album's biggest hits were "I'd Do Anything" (about the high-school girl who got away) and the lone ballad "Perfect" (about living up to your parents' high expectations). But the song that perfectly captured Simple Plan's easy-to-understand mission statement was "I'm Just a Kid." Sample lyric: "I'm just a kid/And life is a nightmare/I'm just a kid/I know that it's not fair."