D.A.S5.E2.deleted scenes - Cora
台词【由汤不热外友所听写】:
- Added scene with the family in the drawing room discussing the memorial
[After the scene where Mary asks Anna to buy her contraceptive]
MARY: Any progress on the memorial?
CARSON: No, m’lady.
MARY: Why not by the church? Then people can go in and say a prayer.
ROBERT: Exactly.
CORA: Where do they want to put it?
TOM: There’s a move to make a proper garden of remembrance.
(Rose enters the room)
EDITH: Oh, well, that would be something for the village.
ROBERT: Would the village use it when they’ve gardens of their own? Who would look after it? You?
TOM: As you can see, there’s a lot to talk about.
ROSE: By the way, I’ve decided to help Bella Davis with her Russians. I’m only collecting old clothes for now, and I really don’t mind doing that.
ROBERT: Quite a change from nightclubs.
CORA: You might like it more than you know. Oh, Mary, I telephoned Charles and they are coming on Monday. So you’ll see them before you leave.
[Next scene is Molesley and Daisy in the servants’ hall]
顺便附上该集其他几段台词【亦是由该位汤不热外友所听写】:
- Added scene of Jimmy saying goodbye to Mrs Hughes and Anna
[After the scene with the memorial committee at the cricket pitch]
(Anna and Mrs Hughes pass Thomas and Jimmy on the staircase. They all stop. Mrs Hughes clears her throat)
JIMMY: I’ll be off then.
MRS HUGHES: I’m sorry you have to go, James. I wish I knew why, but Mr Carson’s been quite mysterious.
JIMMY: Well, it’s fair enough, Mrs Hughes, and I’ve got a good reference. Don’t worry, it’s fair enough.
MRS HUGHES: Well, good luck to you. (She offers her hand and they shake hands)
JIMMY: Anna, give my regards to Mr Bates.
ANNA: I will. Good luck, Jimmy.
(The two groups go their separate ways)
[Next scene is Thomas seeing Jimmy off]
- Added footage of Anna walking to the chemist’s (no lines)
- Additional lines in the scene with Daisy, Mrs. Patmore, Mrs. Hughes, and Sarah Bunting
[The scene after Anna’s at the chemist]
DAISY: But you don’t understand, I’m hopeless.
MISS BUNTING: Nobody’s hopeless. I’ll be back after work, and I can come twice a week for as long as you want.
MRS PATMORE: We haven’t settled your wage.
MISS BUNTING: There’s no payment necessary.
MRS PATMORE: Well, I want to. We don’t need charity, thank you. We can pay our way.
[MISS BUNTING: I’ll take… half a crown a lesson. That’s five shillings a week.]
(The rest of the scene was the same)
- Additional lines in the scene with Molesley and Baxter in the boot room
[BAXTER: You’ve been very quiet all day.]
[MOLESLEY: Have I?]
[BAXTER: I wish you’d tell me what it is.]
MOLESLEY: [Very well.] All right. Now I think a bit, I’m glad you’ve spoken. [Last night, Mr. Barrow chose to give me an account of your history.]
[BAXTER: He was bound to, sooner or later.]
MOLESLEY: [His version is a bleak one, which will not surprise you.] But I’m sure yours will go some way to mending my good opinion.
[BAXTER: What did he say?]
(The rest of the scene was the same)
- Added scene with Sarah Bunting tutoring Daisy
[After the scene with Violet and Isobel at Lord Merton’s]
(Sarah Bunting and Daisy are in Mrs. Hughes’ sitting room going over maths)
MISS BUNTING: Don’t seem figures as the enemy.
DAISY: But they my enemy.
MISS BUNTING: But you use them everyday. When you’re measuring, when you’re weighting ingredients. You’re doing sums in your head all the time.
DAISY: I suppose I am.
MISS BUNTING: Try to look at them as friends. Friends who are trying to tell you something that you need to know.
DAISY: All right.
MISS BUNTING: Let’s start here. You are treating these two columns as separate. But this figure follows directly on from that one, do you see?
DAISY: That’s where I was going wrong.
MISS BUNTING: Each number adds a clue, like each detail of a painting, or every word of a book, then gradually when you put them together, you get the whole picture with the information.
DAISY: It’s not that I look down on cooking, I wouldn’t want you to think that. It’s just—
MISS BUNTING: You’d like to have some choices in your life. And why shouldn’t you?
[Next scene is Anna and Bates talking in gallery]
- Additional line in the scene with Tom seeing Sarah off
[TOM: I was that man but I’m not sure I can be that man again.]
MISS BUNTING: [You can be. I know it. Good night.] Now go in you’ll miss your dinner.
(The rest of the scene was the same)
- Extended bit at the Drewes after Edith leaves (no lines)
[the scene plays out the same, no dialogue changes, there’s just a shot that is slightly longer]
- Additional lines in the Tony and Mary scene
[MARY: It’s mad not to give a false name.]
TONY: Always make a lie as truthful as possible. If you seem to have the right name and are alone in your room, then why shouldn’t you be in Liverpool.] The same is true for me.
MARY: What if someone recognizes us both?
TONY: Then that would be bad luck, I admit. But even then, we’re in separate rooms, they couldn’t prove anything.
MARY: Are you ‘Foyle’ or ‘Gillingham’?
TONY: I’m ‘Foyle.’ That is my name. And the fact that a neither of us is using a title could just be just to avoid fuss.
[MARY: How did you manage to get the rooms connected?]
(The rest of the scene was the same)