Violin Sonata In A Major Op.47, ... - Nathan Milstein

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Sonatas And Paritas For Solo Violin: 1. Adagio
Sonatas And Paritas For Solo Violin: 2. Fuga. Allegro
Sonatas And Paritas For Solo Violin: 3. Siciliana
Sonatas And Paritas For Solo Violin: 4. Presto
Sonatas And Paritas For Solo Violin: 1. Allemanda
Sonatas And Paritas For Solo Violin: 2. Double
Sonatas And Paritas For Solo Violin: 3. Corrente
Sonatas And Paritas For Solo Violin: 4. Double. Presto
Sonatas And Paritas For Solo Violin: 5. Sarabande
Sonatas And Paritas For Solo Violin: 6. Double
Sonatas And Paritas For Solo Violin: 7. Tempo di Borea
Sonatas And Paritas For Solo Violin: 8. Double
Sonatas And Paritas For Solo Violin: 1. Grave
Sonatas And Paritas For Solo Violin: 2. Fuga
Sonatas And Paritas For Solo Violin: 3. Andante
Sonatas And Paritas For Solo Violin: 4. Allegro
Partita No.2 D-minor BWV 1004: Allemanda
Partita No.2 D-minor BWV 1004: Corrente
Partita No.2 D-minor BWV 1004: Sarabanda
Partita No.2 D-minor BWV 1004: Giga
Partita No.2 D-minor BWV 1004: Ciaccona
Sonata No.3 C Major BWV 1005: Adagio
Sonata No.3 C Major BWV 1005: Fuga
Sonata No.3 C Major BWV 1005: Largo
Sonata No.3 C Major BWV 1005: Allegro Assai
Partita No.3 E Major BWV 1006: Preludio
Partita No.3 E Major BWV 1006: Loure
Partita No.3 E Major BWV 1006: Gavotte En Rondeau
Partita No.3 E Major BWV 1006: Menuet 1
Partita No.3 E Major BWV 1006: Menuet 2
Partita No.3 E Major BWV 1006: Bourree
Partita No.3 E Major BWV 1006: Gigue

Sonata for Violin Solo No.1 in G... - Nathan Milstein

Sonata for Violin Solo No.3 in C... - Nathan Milstein

Sonata for Violin Solo No.2 in A... - Nathan Milstein

Sonata for Violin Solo No.3 in C... - Nathan Milstein

Sonata for Violin Solo No.2 in A... - Nathan Milstein

Sonata for Violin Solo No.2 in A... - Nathan Milstein

http://player.yinyuetai.com/video/player/2323548/v_5908509.swf
【米尔斯坦-巴赫-无伴奏小提琴奏鸣曲及组曲】Partita No. 2 in d minor BWV1004 V. Chaconne：
1968年12月10日巴黎现场 古典

http://player.yinyuetai.com/video/player/2323549/v_5908509.swf
【米尔斯坦-巴赫-无伴奏小提琴奏鸣曲及组曲】Partita No.3 E Major BWV 1006 I. Preludio：
1963年6月9日伦敦现场
米尔斯坦的琴声十分独特，其贵族化的质感使听众充满敬畏，这种音质被描述如银铃一般，但由于50年代的录音技术所限，这种声音被表现得过于尖锐刺耳，对于听众来说太具穿透力。
基于这个原因,听众对米尔斯坦的演奏颇有微词，并有些人排斥他，其对音准的表现技巧和准确性被称为海菲兹后第二人，之所以这样是因为他牺牲了一点点声音的表现来抒发其情感。他对于琴弓的驾驭也对此有帮助，被称为「弓之王子」也不足为奇。
米尔斯坦对于揉弦表演不属于20世纪，只有上个世纪小提琴家约阿希姆那一代才有这种技法。通常米尔斯坦演奏时不使用过多的揉弦，他的方式是在高潮时用极高的频率扩展弦的震动，而平时的演奏则多使用滑奏。一般的小提琴手用琴来表现多愁善感，但米尔斯坦则用琴来显示崇高的思想，所以他也被称为「小提琴的贵族」。这种区别语言无法表达，只有听他的演奏才能感受到。