200.Egyptian Lover“I Cry (Night After Night)”
199.Tom Zé“Nave Maria”
198.A Certain Ratio“Shack Up”
197.Donald Byrd / 125th Street, N.Y.C.“Love Has Come Around”
196.Dinosaur L“Go Bang! #5 (Francois K Mix)”

195.Jungle Brothers“Straight Out the Jungle”
194.Too $hort“Freaky Tales”
193.Kano“I'm Ready”
192.William Onyeabor“Good Name”
191.Alice Coltrane“Jagadishwar”

190.Gregory Isaacs“Night Nurse”
189.EPMD“You Gots to Chill”
188.Carly Simon“Why”
187.Mtume“Juicy Fruit”
186.The Clash“Rock the Casbah”
185.Class Action“Weekend”
184.Wayne Smith“Under Me Sleng Teng”
183.Loose Joints“Is It All Over My Face”、
182.Strafe“Set It Off”
181.Womack & Womack“Teardrops”
180.Patrice Rushen“Forget Me Nots”
179.The Joubert Singers“Stand on the Word”
178.Nina Simone“Fodder in Her Wings”
177.The Pretenders“Brass in Pocket”
176.Schoolly D“P.S.K. What Does It Mean?”
175.K-Rob / Rammellzee“Beat Bop”
174.Suicidal Tendencies“Institutionalized”
173.Wipers“Youth of America”
172.The Sugarcubes“Birthday”
171.King Sunny Ade and His African Beats“Ja Funmi”

170.Cybotron“Clear”
169.The Chills“Pink Frost”
168.LL Cool J“I Can't Live Without My Radio”
167.Yoko Ono“Walking on Thin Ice”
166.George Benson“Give Me the Night”
165.Inner City“Good Life”
164.Hüsker Dü“Pink Turns to Blue”
163.Peter Gabriel“In Your Eyes”
162.Orchestra Baobab“Mouhamadou Bamba”
161.U2“Sunday Bloody Sunday”
160.Sheila E.“The Glamorous Life”
159.George Clinton“Atomic Dog”
158.808 State“Pacific State”
157.Orange Juice“Rip It Up”
156.Siouxsie and the Banshees“Cities in Dust”
155.A Guy Called Gerald“Voodoo Ray”
154.Tangerine Dream“Love on a Real Train”
153.Joe Jackson“Steppin' Out”
152.Galaxie 500“Tugboat”什么鬼，复制这么久就一首耳熟，而且还这么后
151.Dead Kennedys“Holiday in Cambodia”

150.Beastie Boys“Paul Revere”
149.Shannon“Let the Music Play”
148.Al B. Sure!“Nite and Day”
147.Michael McDonald“I Keep Forgettin' (Every Time You're Near)”
146.David Bowie“Modern Love”
145.Liquid Liquid“Optimo”
144.Big Daddy Kane“Ain't No Half-Steppin'”
143.Anthony Red Rose“Tempo”
142.Tears for Fears“Head Over Heels”
141.Beat Happening“Indian Summer”
140.Bronski Beat“Smalltown Boy”
139.Spacemen 3“Walkin' With Jesus”
138.Rob Base / DJ E-Z Rock“It Takes Two”
137.Mission of Burma“That's When I Reach for My Revolver”
136.Motörhead“Ace of Spades”
135.Pixies“Gigantic”
134.Queen & David Bowie“Under Pressure”
133.Fleetwood Mac“Everywhere”
132.Godley & Creme“Cry”
131.Yellowman“Nobody Move, Nobody Get Hurt”
130.Phil Collins“In the Air Tonight”
129.This Mortal Coil“Song to the Siren”
128.R.E.M.“Radio Free Europe”这么后，好歹专辑评了满分
127.Cyndi Lauper“Girls Just Want to Have Fun”
126.Janet Jackson“Control” 珍珍后面还会有
125.The Replacements“Bastards of Young”
124.De La Soul“Eye Know”
123.Run-D.M.C.“It's Like That”
122.Grandmaster & Melle Mel“White Lines (Don't Don't Do It)”
121.Slick Rick / Doug E. Fresh“La Di Da Di”麦莉的we can't stop据说有采样这首？

Fleetwood Mac“Gypsy”WARNER BROS.; 1982
92

The lore of the excess Fleetwood Mac indulged in at their height of their fame is the stuff of rock legend, a yardstick by which the hedonism of all other bands is measured (save for the Eagles). Amid the unstoppable worldwide post-Rumours ascent of the band, Stevie Nicks penned "Gypsy", a pean to before. Back when she was living in a tiny apartment in the Bay Area, waitressing to support herself and then-boyfriend Lindsey Buckingham, back when her best friend and voice coach Robin Snyder was alive. Likely written for the sessions for Nicks’ solo debut Bella Donna, the song eventually surfaced on the band’s 1982 album Mirage, and was characteristic of the more synthetic and slick Mac sound of the '80s. The video for "Gypsy" was, at the time, the most expensive music video ever made, and the first "world premiere" on MTV. While stadium bands lamenting the humble simplicity of their basement days is a codified part of rock'n'roll, what is really happening here is that Stevie Nicks is singing about her own life and herself in relationship to another woman, about female friendship. Women recording and performing personal songs that they wrote and sang was a relatively new phenomena in rock'n'roll; a hit song authored by a woman about her own creative life and the primacy of another woman in it—the regard of the "my" and "she" in "Gypsy"—was almost unheard of—and what makes the song a landmark. —Jessica Hopper

Tracy Chapman“Fast Car”ELEKTRA; 1988
86

Working class narratives might not chart anymore, but escapism has long been universal. Tracy Chapman’s breakout single—the one she is remembered for most, to this day, along with 1997’s "Give Me One Reason"—was a multi-character study about keeping sane, keeping safe and keeping a dream alive amidst long odds. The politics and plaintive gait of "Fast Car" echoes the simple, guitar-led soul of Bill Withers, who holds his working class roots close, even today. Chapman grew up in recession-era Cleveland but the determinism of a refrain like, "I had a feeling that I belonged, I had a feeling that I could be someone," made it an anthem for all: kids stuck in bum towns and broken homes, single moms, desk drones, and dreamers. (Maybe even a few Reaganites?) Its release toward the end of the decade, as the artifice of new wave and glam rock were being phased out and hip-hop was making itself known, makes "Fast Car" one of the musical catalysts for the resurgence of liberalism and counterculture in the radical '90s. —Anupa Mistry
确实她欧洲卖的让人难以想象。。。。

My Bloody Valentine
“You Made Me Realise”
CREATION; 1988
83

On record, it lasts only 30 seconds or so. Live, it can stretch up to 20-plus minutes. My Bloody Valentine's album-length shoegaze masterwork is 1991's Loveless, but the title track from 1988's You Made Me Realise is the Kevin Shield-led Irish band's most emblematic song. And the most potent part of that song is the so-called "holocaust section," which melded the Beatles' psychedelic experiments to Sonic Youth's noise-rock pummel, in the process reaching an early pinnacle for a while new and singular style.
When "You Made Me Realise" arrived, MBV had gone through a couple of vocalists and sonic approaches without quite rising above their contemporaries. As their first record with Shields and fellow guitarist Bilinda Butcher splitting vocals, and first for the financially generous Creation Records, "You Made Me Realise" established the group as one to watch, presaging the meticulously explosive studio confections that have followed in the years since. MBV weren't the only band in the mid-to-late '80s combining the percussive/discordant with the sweet/tuneful, of course, but their ambitious admixture was particularly captivating. And all the more so as a joyfully extensive, consciousness-affecting concert closer. Shields and Butcher don't quite make clear here what they've realized—though interpersonally fraught lyrics about death and suicide sure give a hint—but the song itself is the epiphany. —Marc Hogan

Diana Ross
“Upside Down”
MOTOWN; 1980
81

Bernard Edwards and Nile Rodgers of Chic produced Diana Ross’ 1980 album Diana, but, before its release, the record was remixed without their permission: Ross' voice was moved to the forefront, the bass was reduced, the songs made flatter. Listening to the original Chic mixes of the album can feel like breathing oxygen into compressed airspace; like an unlatched accordion, the original mix unfolds to take up more space. Of course, either version is masterful: a concept record about falling for someone whose love isn't entirely reciprocated, of surrendering control. On "Upside Down", her words ring with the confidence of someone who's chosen acceptance: "Respectfully, I say to thee, I'm aware that you're cheating," she sings, as if afraid of upsetting the balance. It's a song about that sensation of "falling"—a term far too shortsighted to encapsulate the upside-down, inside-out, round-and-round motion of a crush. So just as Edwards and Rodgers’ songwriting suggests a box tumbling down stairs, Ross stands tall inside, enjoying the ride and fearing the landing. —David Drake

没耐心发了
直接听spotify的list吧
https://open.spotify.com/user/1217342073/playlist/5VwckMBjpIYqUA3kzTMzQT