http://tieba.baidu.com/p/5923026094?share=9105&fr=share&unique=1D7F72AD458B4EFEE2BA7199ADA580C5&st=1541070687&client_type=1&client_version=9.8.4&sfc=copy上个帖子，最好的红皇，一共有spin 滚石 还有EW的乐评，我尽量找权威性高的，占比重的翻译

<Sweetener>Ariana Grande 第四张流行专辑，发行日期8.17

Pitchfork 8.1分

After years of searching, Ariana Grande has found her true voice.Sweeteneris an exemplary pop album, radiating with low-key joy and newfound love.
经过了几年的寻找，矮梨杏菜女士终于找到了她自己真实的声音。甜味剂是一张典型的流行专辑，散发着低音的愉悦和新欢之爱。（pete死了）

今日到这儿，因为已经翻了RED了晚一会儿爆照

今天的来了

Ariana Grande’s journey from child star to “human cupcake” to heir apparent to the diva throne has been centered around discovering the song that defines her. Though her soprano is instantly recognizable—floating from sultry melismas to whistle singing, elocution be damned—locatingherin the hits has been difficult at times. Her last two albums, 2014’sMy Everythingand 2016’sDangerous Woman, were solid but musically scattershot, filled with trendy guests and weighed down by her bad-girl alter-ego. For Grande to ascend to the next creative level, she’d need more than just the range.
爱丽杏彩女士从表演“human cupcake”的童星到她继承流行天后的道路一直都围绕着发现着那些可以定义她的歌。虽然她高音段的优势很早就被发现了，在性感勾人的装饰音和哨音之间漂浮，但是这种发音方式偶尔也很令人烦恼，将她的声音和热歌完美契合经常十分困难。她的上两张专辑，2014年的牛的全部和2016年的单脚拉屎的危险少妇，都十分硬核但是在音乐层面上是漫无目的的，充满着追随潮流的客人和被她的坏女孩野心折服的粉丝。对阿菜来说，通往下一个充满创造力的阶段，她需要的不止是高音。

Sweetener, Grande’s first album since the2017 bombingat her Manchester concert, feels more honest and distinct than any of her past work. Perhaps because tragedy has a way of revealing our true selves, the 25-year-old star finally allows herself to just take things as they come. She doesn’t force the heart-wrenching emotion of it all into tearful ballads and message-heavy anthems, but instead lets the low-key joy of the title track radiate across the album. The best parts ofSweetenerhave her looking for hope and stumbling upon the glow of new love. By the time you reach the interlude about her comedian fiancé Pete Davidson called “pete davidson,” where the word “happy” is repeated 22 times in just over a minute, whatever cynical snapshot of their quickie engagement that may have formed betweenThat Lollipop Photoand reports ofBig Dick Energyhas fallen away. Let the yung diva love in peace.
甜味剂，自从2017爆炸案之后格兰德的第一张专辑，比起她以前的专辑令人感到更加的真实和与众不同。也许悲剧有一种使我们更好发掘自己的力量，25岁的格兰德终于去坦然接受自己的那些感情。她没有让那些心碎的情绪去做一首潸然泪下的芭乐，或是一首沉重的乐曲，反而让那些低音里流露散发的愉悦充满整张专辑。甜味剂中最佳的部分是看到她对希望的渴望和在新欢前的踌躇。当你听到一首提到她的喜剧卡司未婚夫的间断曲“pete davidson”时你会发现happy这个单词在1分多钟时间内居然重复了22遍。忽略掉那些狗仔的偷拍关于她们的闪订婚，和That Lollipop Photo还有25cm的大jj，让这位年轻的流行天后和平安静的恋爱。

今天只有两段，一堆实验报告ddl了伤不起

今天的来了

The non-Pharrell tracks come courtesy of past Grande collaborators like Max Martin, ILYA, and TB Hits, and largely tap into the ongoing trap influence on the Top 40. Not one of them is outright filler, but an ode to a toxic ex like “everytime” is markedly less original—the kind of bad-decision-making set to ominous thumping that’s all over the charts.
没有和董飞的歌曲是来自Ari的老朋友们Max,ILYA,TB Hits的恩惠，并且十分接近于时下受trap影响的流行风格。没有一首是完全的填充物（某人惨遭打脸），但是有一首关于令人上瘾的前男友歌曲“everytime”很明显的缺少了原创性，这是一个危险的预兆，并且也是当下榜单的通病。
Grande’s got her own new rules, though: She tweaks the daydreaming of Imogen Heap into the throbbing EDM twinkle of “goodnight n go” and turns themelancholy of Drakeinto a meditation on anxiety with “breathin.” Neither is a direct extension of her work with Williams, but both feel like natural fits on an album all about finding the light.
格兰德小姐找到了她自己的规则：她把Imogen Heap （代表作“goodnight and go”）的白日梦做成了EDM曲风的“goodnight n go”，在“breathin”中将Drake式的痛苦转化成了深邃的冥想和渴望。没有一首是和董飞合作的延伸（风格类似），但是都十分自然地融入了这张关于寻找希望的专辑。
Grande may have delivered more of a full-album vibe than a bangers-filled juggernaut, but there is at least one career-defining moment here—the song she has been looking for, wrapped in an unassuming package.
比起制作一张充满爆炸的巨物，格兰德更倾向于充满氛围的整体向更强的专辑，但是至少有一件事可以肯定，她搜集的那些歌曲都是谦逊近人的。

Sweetenerends with “get well soon,” the sort of freeform, self-help soul ballad you’d maybe expect to round out a Beyoncé opus. Anyone who knows how gracefully Grande handled the horrific events at her Manchester show last year will recognize an equally graceful response to her own emotional aftermath in this song. Channeling all the conflicting voices in her head, Grande sings striking downbeat counter-melodies of “girl what’s wrong witchu come back down.” She soothes herself with her own luscious harmonies, urges fans to take care of one another, and modestly assures that anyone can work their way to the top.
甜味剂以“get well soon”结尾，一首无拘无束的，充满自救的灵魂芭乐歌曲。听起来很像Bee的作品。当你知道格兰德面对曼彻斯特恐袭之后在不久后立刻又来到曼彻斯特在舞台上表演是一件多么的优雅事，你同样也会意识到在这首歌里格兰德对灾难的回应是多么的优雅。脑海里不同的旋律激荡之后，她用有力的重音唱出反击的旋律“girl what’s wrong witchu come back down.” 她用甘美的和声让自己走出阴影，呼吁粉丝关爱身边的每个人，谦虚的保证每个人都能走上自己的巅峰。
Like much ofSweetener, the song is musically sparse but encompasses a kaleidoscope of vocal tones. It is here, four albums in, that the true multitudes of her voice, and by extension herself, blossom.
就像这张专辑里的大多首歌曲，这首歌在削弱了伴奏强化了如同万花筒般的唱腔，这才是她在四张专辑里的众多歌曲中真正的声音，展现她自己的声音，祝贺。